Kadefest
From £30

Available in two standard sizes and as a fine print.

This was the first Fest Series event I had shot, and I soon figured out it was way harder than expected. The whole day there was nothing going on because it was too windy, then at the end of the day when the sun had already gone in and the light wasn’t that good, the session finally started.

As I didn’t have any clients to shoot for, I had the freedom just to play around, so I used the 35mm and hid far away from the jumps. It turned out that I got this silhouette shot. Kade’s unique style shines — no one was getting that high and that laid over. I was pretty happy with how it came out.

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In 2002, Steve Peat finally won the World Cup Downhill series. Fast forward four weeks and Mike Rose and Peat were in Las Vagas searching for a Dirt Magazine cover.
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Say 2008 Val di Sole and only one person comes to mind. This shot defines Sam Hill in that era: Iron Horse, number one plate, focused eyes, and the Black Snake racecourse.
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Perhaps one of the scariest race starts in the business, Pic Blanc covered in snow as hundreds of ant like mountain bikers drop into one of the toughest races out there.

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Is there ever a bad last-light sunset in Utah? This is from a 2009 photoshoot out near Green River. The crew shot some big stunts up high and, as the sun dipped down, James Doerfling surfed the ridge back down to the RV.
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The end of a long day shooting in Vallnord Bikepark heading back down to town for some beers. Andy Lloyd was ahead, glanced up the mountain as James came into view through the cloud of dust. At that moment he saw the shot.
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Rachel Atherton caught perfectly, mid-way through her incredible winning streak that spanned 16 consecutive elite race wins, three seasons and two World Championships titles.
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In Val di Sole 2008 Sam Hill was on fire, 10sec ahead when he launched off the ski jump into the finish arena. Moments later he was on the ground scrambling to get himself to the finish line.
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misspent summers

CORE TEAM:
FOUNDER-DIRECTOR: James McKnight
CO-DIRECTOR: Ben Winder
CO-DIRECTOR: Mike Rose
CO-DIRECTOR: Victor Lucas
CREATIVE DIRECTOR: Chris Jones
DOOD OF DOODLES: Jon Gregory

REGULARS:
Morgane Charre: Research
Harriet Jones: Management
Sven Martin: Photography
Boris Beyer: Photography
Sebastian Schieck: Photography
John Parkin: Legendary

FRIENDS:
Ric McLaughlin, Paul Aston, Lauren Jenkins, Tom Caldwell, Chris Kilmurray, Kerstin Kauffmann, Chris Jackson, Pedro Ballin, Alan

Available in two standard sizes: 12″ x 16″ (30.48cm x 40.64cm) and 24″ x 36″ (60.96cm x 91.44cm)

Technical information: Our display prints are printed on Epson Ultra Premium Luster Photo Paper using archival inks. We use Epson UltraChrome water based HDR ink-jet technology to ensure fantastic final print.

  • 10 mil (0.25 mm) thick
  • Paper weight: 7.67 oz/y² (260 g/m²)
  • Slightly glossy
  • Fingerprint resistant

Framing options: You can take your print to your local framing store, and they will be able to help you with getting your print framed.

For a cheaper DIY option Ikea have plenty of frame options. We would recommend buying the RIBBA frame.

BOOKS: Our books are stored and posted from the UK.

MERCH & DISPLAY PRINTS: Our merch products are printed to order and then shipped out from a base in either Europe or the USA, depending on your location.

Shipping costs are automatically calculated by our supplier.

Orders outside of the USA or Europe customs charges may be added, the customer is responsible for these charges.
 
If something seems a bit off, just send us an email and we’ll see what we can do.

Please be aware that Express and Standard shipping costs are higher.

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