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Dreamy Dust with James Mcknight by Andy Lloyd

Dreamy Dust
From £30

Available in two standard sizes and as a fine print.

The end of a long day shooting for Dirt Magazine in Vallnord Bikepark, heading back down to the town of La Massana for some beers. For once, I was leading friend and colleague James McKnight on (what is now) a fun blue run back to the valley floor.

As I flew out into a clearing about halfway down, I looked back to see the evening sunlight streaming through the trees and my recently kicked up dust. James came into view through the cloud of dust and at that moment I saw the shot. Grabbing my camera from my bag, I sent him back up, but with the lack of a lead rider to create the dust I improvised, lobbing handfuls of dust up into the trees to create the same effect. 

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Sometimes all you need is a bit of luck. A rider came down just in front of Blenki and threw up some dust; the light was perfect and Blenki’s unique style just made this shot what it is.
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Rider, trail builder and BikePark Wales founder Rowan Sorrell sends it into this otherworldly tunnel in the early days of the park.
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A perfect trace of singletrack high on a Swiss Alpine ridgeline with the glaciers of Saas Fee tumbling in the distance.

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When most people had already left the pits, we stayed around and had a beer with the riders. Then we just saw those two chatting in the sunset.
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Riding the epic Cliffs of Moher is no feat for mere mortals. A small rocky ledge, with a rock wall to one side and an empty void to the other, in places there was less than 8 inches to ride.
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Is there ever a bad last-light sunset in Utah? This is from a 2009 photoshoot out near Green River. The crew shot some big stunts up high and, as the sun dipped down, James Doerfling surfed the ridge back down to the RV.
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Gwin was incredibly precise in his riding — he even grazed the wall with his shoulder. That’s what World Cup racing in a traditional Croatian village combined with the riding of Aaron Gwin looks like.
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CORE TEAM
FOUNDER-DIRECTOR: James McKnight
CO-DIRECTOR: Ben Winder
CHAIRMAN: Mike Rose
SOUND SCIENTIST: Victor Lucas
CREATIVE DIRECTOR: Chris Jones
DOOD OF DOODLES: Jon Gregory

TEAM
Morgane Charre: Production
Harriet Jones: Design
Sven Martin: Photography
Boris Beyer: Photography
Sebastian Schieck: Photography
Tom Caldwell: Tea&Biscuits Boy

CREW
Anna Buick, Chris Hall, Pete Scullion, Ric McLaughlin, Paul Aston, Chris Kilmurray, John Parkin, Chris Jackson, Pedro Ballin, Alan

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Available in two standard sizes: 12″ x 16″ (30.48cm x 40.64cm) and 24″ x 36″ (60.96cm x 91.44cm)

Technical information: Our display prints are printed on Epson Ultra Premium Luster Photo Paper using archival inks. We use Epson UltraChrome water based HDR ink-jet technology to ensure fantastic final print.

  • 10 mil (0.25 mm) thick
  • Paper weight: 7.67 oz/y² (260 g/m²)
  • Slightly glossy
  • Fingerprint resistant

Framing options: You can take your print to your local framing store, and they will be able to help you with getting your print framed.

For a cheaper DIY option Ikea have plenty of frame options. We would recommend buying the RIBBA frame.

Books: Our books are stored and posted from the UK.

Fees and duties on non-UK deliveries: If you are ordering outside the UK, please be aware you may have to pay tax, duties or other fees on delivery. We use a professional fulfilment company to help ensure smooth postage and prepare any necessary paperwork, but since Brexit on 1 Jan 2021, some EU and even rest of world customers have reported having to pay a (seemingly random) fee on delivery. This has never happened before and should not be happening, but for the time being there doesn’t seem to be a solution to the problem. Sorry for any confusion or complications during this period of unprecedented change – we hope Britain and the countries it exports to will soon smooth out any issues.

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